BCM 110 Assignment 3: Reference List & Bibliography

Blog 5 of 5: Reference List & Bibliography: Blogs 1-4

Reference List

Alighieri, Dante, 1320, The Divine Comedy, Hutchins, Robert M, Editor-in-Chief, The University of Chicago (ed.) Advisory Board, Encyclopaedia Britannica, published, 1952, UK.

Aruguete, Mara S; Gillen, Meghan M; McCutchen, Lynn E & Bernstein, Michael J, 2020, Disconnection from nature & interest in mass media, Applied Environmental Education & Communication, Vol.19:4, p.363-374, online journal, Routledge: Taylor & Francis Group, London.

Bell, Christopher, 2015, Bring on the female superheroes!, TEDx, Colorado Springs, Distribution: http://www.ted.com.

Britton, Ronald, 2015, Mary Shelley’s Frankenstein: what made the monster monstrous?, The Journal of Analytical Psychology, Vol.60:1, p.1-11, accessed: 23.04.2022.

Bruno, David; Wilson, Meredith, (eds.), 2002, Inscribed Landscapes, Making & Making Place, University of Hawaii Press, Hawaii, USA.

Cinnamon, Jonathan, 2017, Social Injustice in Surveillance Capitalism, Surveillance & Society, Vol.15, Iss.5, p.609-625, accessed: 04.05.2022.

Cunningham, Stuart, 2014, Policy & Regulation in Cunningham S & Turnbull S (eds.), 2014, The Media & Communications in Australia, 4th Edition, Allen & Unwin, Aust.

Edwards, Dustin W, 2020, Digital Rhetoric on a Damaged Planet: Storying Digital Damage as Inventive Response to the Anthropocene, Rhetoric Review, Vol.30:1, p.59-72, https://www-tandfonline-com.ezproxy.uow.edu.au/doi/pdf/10.1080/07350198.2019.1690372.

Falkof, Nicky, 2020, On Moral Panic – Some Directions for Further Development; Critical Sociology, 2020, Vol.46(2), p.225-239, accessed:22.04.2022.

Gergan, Mabel; Smith, Sara; Vasudevan, Pavithra, 2020, Earth beyond repair: Race & apocalypse in collective imagination; Environment & Planning D: Society & Space, Vol.38:1, p.91-110,https://journals-sagepub-com.ezproxy.uow.edu.au/doi/full/10.1177/0263775818756079.

Hall, Stuart, 1997, The Work of Representation, Chp.1, p.1-51, The Spectacle of the Other, Chp.4, p.223-277; in Representation: Cultural Representations & Signifying Practices, Sage in association: The Open University, England.

Hammond, Kim, 2004, Monsters of modernity: Frankenstein & modern environmentalism, Cultural Geographies, Iss.11, p.181-198, School of Geography & the Environment, University of Oxford England. 

Haraway, Donna, 2010, When Species Meet: staying with the trouble, Environmental & Planning D: Society & Space, 2010, Vol.28, p..53-55, Pion Ltd., London.

Haraway, Donna, 2016, Staying With the Trouble: Making Kin in the Chthulucene, Duke University Press.

Haraway, Donna, 2018, Staying with the Trouble for Multispecies Environmental Justice, Dialogues in Human Geography, Vol.8(1), p.102-105, Sage Publications, UK.

hooks, bell, 1992 & 2014, Black Looks: Race & Representation, 1st & 2nd. Ed, Routledge, New York, USA. 

Kelly, Deborah, 2022, The Book of CREATION, https://www.creationtheproject.com/liturgy, Griffith University Art Museum, Griffith University, Brisbane QLD, Aust.

Langton, Marcia, 2002, Sensual Inscriptions, The Edge of the Sacred: The Edge of Death, in Bruno, David; Wilson, Meredith, (eds.), 2002, Inscribed Landscapes: Making & Making Place, University of Hawaii Press, Hawaii.

Latour, Bruno; Stengers, Isabelle; Tsing Anna; Bubandt, Nils; 2018; Anthropologists are Talking About Capitalism, Ecology & Apocalypse; Ethnos: Journal of Anthropology, Vol.83, Iss.3, accessed: 23.05.2022-20.06.2022.

Lidberg, Johan, 2019, The Distortion of the Australian public sphere: media ownership concentration in Australia, Australian Quarterly, Vol.90, Iss.1, Jan-March, p.12-20.

Lyon, David, 2002, Everyday Surveillance: Personal Data & Social Classifications; Information, Communication & Society, Iss.5, No.2, p.242-257, Taylor & Francis.

Lu, Kevin Dr, 2021, Carl Jung & the Archetypes, The Weekend University, Distribution: YouTube: Carl Jung and the Archetypes – Dr Kevin Lu, PhD, The Weekend University, US.

Moreton-Robinson, Aileen (ed.), 2004, Whitening Race: Essays in social & cultural criticism, Aboriginal Studies Press, Canberra, ACT.

Norman, Sara Jane, 2021, Liturgy of the Saprophyte, The Book of CREATION, 2022, Lead Artist, Deborah Kelly, https://www.creationtheproject.com/liturgy, Griffith University Art Museum, Griffith University, Brisbane QLD, Aust.

Orlowski, Jeff (dir.) & Rhodes, Larissa (prod.), 2020, The Social Dilemma,  Production: Exposure Labs, Argent Pictures & The Space Program, Documentary/Docudrama, 94:00mins, Distribution: Netflix, https://www.youtube.com/watch?v=uaaC57tcci0, accessed: 15.03.2022-04.04.2022.

Pontes, Halley M, 2017, Social networking disorder: Investigating the differential effects of social networking addiction & internet gaming disorder for psychological health, Journal of Behavioural Addictions, AK Journals, Vol.6, Iss.4, p.601-610.

Solove, Daniel J, 2021, The myth of the privacy paradox, George Washington University ,Law Faculty & Other Works Publications, L. Rev. 89, 2021:1.

Sunstein, Cass R, 2000, Deliberative Trouble: Why Groups Go to Extremes, Chicago Unbound, Journal Articles, Faculty Scholarship, University of Chicago Law School, US.

Tan, Cenk, 2021, A Jungian & Nietzschean Approach to Todd Phillips’ Joker, Litera: Journal of Language, Literature & Culture Studies, Vol.31, Iss.1, 23.06.2021, Istanbul University Press, accessed: 15-22.06.2022.

Todd, Zoe, 2015, Indigenising the Anthropocene, Art in the Anthropocene: encounters among aesthetics, politics, environments & epistemologies, Open Humanities Press.

Tsing, Anna Lowenhaupt; Bubandt, Nils; Gan, Elaine; Swanson, Heather Anne, 2017, Arts of Living on a Damaged Planet: Ghosts & Monsters of the Anthropocene, University of Minnesota Press, USA.

Yunkaporta, Tyson, 2019, sand talk, Text Publishing Company, Melbourne, VIC.

Zuboff, Shoshana, 2019, Surveillance Capitalism & the Challenge of Collective Action; New Labor Forum, Vol.28(1), p.10-29; The Murphy Institute, City University of New York, New York, NY.


Beyer C; Bockwold JC; Hammer EL & Potzsch, 2019, Seeing (With, Through & As) Monsters: An Introduction to the Special Issue, Nordit, Septentrio, UIT, accessed: 15.06.2022-22.06.2022.

Bruno David; Barker, Bryce; McNiven, Ian J, (eds.), 2006, The Social Archaeology of Australian Indigenous Societies, Aboriginal Studies Press, Australian Institute of Aboriginal & Torres Strait Islander Studies, Canberra, ACT.

Delaney, Lori, 2019, Comics vs Climate Change: Who is the Most Eco-Friendly Superhero? Eco-Age: The Eco-Living Archive, eco-age.com, https://eco-age.com/resources/comics-vs-climate-change-who-most-eco-friendly-superhero/, accessed: 17.06.2022-21.06.2022.

Fell, Elana & Lukianova, Natalia, 2018, Arts of Living on a Dying Planet: Ghosts & Monsters of the Anthropocene, The Philosophical Quarterly, Vol.68, no.272, p.632-634.

Fiske, John & Jenkins, Henry, 2010, Introduction to Communication Studies, 3rd.ed., p.80-86 & p.157-169, Routledge, London.

Mansfield, Nick; Fensham, Rachel; Threadgold, Terry; Tulloch, John, 2000, Subjectivity: Theories of the self from Freud to Haraway, Routledge, London.

McGowan, Andrew, 2019, Superhero Ecologies: An Environmental Reading of Contemporary Superhero Cinema, Honours Project: Student Scholarship & Creative Work, Bowdoin College, Bowdoin Creative Commons, US.

Puc, Reed G, 2021, Lifeglows Through the Anthropocene: Development of the Radical Imagination & Response-Ability Within Superhero Comics; Graduate Student Thesis, Dissertations & Professional Papers: Graduate School, ScholarWorks at University Montana, US.

Turnbull, Sue, Imagining the audience, in Cunningham S & Turner T (eds), The Media & Communications in Australia, 3rd. Ed, Allen & Unwin, Crows Nest, Aust.

Images & Videos

Blog 1: Image: Strang-Yettica, Juundaal, 2020, Sister GlitterNullius Mugshots, taken with my Samsung Galaxy Ultra 20, mobile phone.

Blog 1: Image: Yes Magazine, 2013, 13 Climate Justice Leaders Imagined as Comic Superheroes, https://www.yesmagazine.org/environment/2018/04/21/13-climate-justice-leaders-imagined-as-comic-superheroes, Image: Patricia Espinosa Cantellano, Executive Secretary: United Nations Framework Convention on Climate Change, Art: Pia Guerra, https://www.yesmagazine.org/wp-content/uploads/imports/252ec017e074450c89e991efec353b2a.jpg.

Blog 2 Video: Strang-Yettica, 2020, The Transformation of Sister GlitterNullius, Editor: Jesse Tyssen, (01.48), Samsung Galaxy Ultra 20.

Blog 2 Video: Phillips, Todd, (Dir./Prod.), 2019, Joker, JOKER – Final Trailer – Now Playing In Theatres, Warner Bros, US, Distribution: YouTube, accessed: 18-20.06.2022.

Blog 3 Video: The Amazing World of Gumball | Computer AI Absorbs Humanity | Cartoon Network The Amazing World of Gumball, Computer AI Absorbs Humanity, 2018, (00.00-03.14), Cartoon Network UK, Distribution: YouTube, accessed: 17-18.06.2022.

Blog 3: Video: The Wachowskis, 1999, The Matrix Official Trailer #1, Distribution: YouTube, accessed: 18.06.2022, The Matrix, 1999, Lana & Lilly Wachowski, (Dirs.), Joel Silver (Prod.), Warner Bros & Village Roadshow, (2hrs 16mins). Image: https://cdn.onebauer.media/one/empire-tmdb/films/603/images, accessed: 20.06.2022. The Matrix: The Matrix (1999) Official Trailer #1 – Sci-Fi Action Movie

Blog 4 Image: Norman, Sara Jane, 2021, Liturgy of the Saprophyte, The Book of CREATION, 2022, Lead Artist, Deborah Kelly, https://www.creationtheproject.com/liturgy, Griffith University Art Museum, Griffith University, Brisbane QLD, Aust, https://www.creationtheproject.com/liturgy, accessed: 21.06.2022.

Blog 4 Video: Strang-Yettica, Juundaal, 2020, The Birth of Sister GlitterNullius (2:00), experimental video with my phone, Editor: Jesse Tyssen, https://youtu.be/-djWGGjgfbk, During Internship: “Plastic Free Biennale”, Lucas Ihlein and Kim Williams (2020) in NIRIN, the 22nd Biennale of Sydney, 2020.

BCM 110 Assignment 3: End Reference List

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