Author Archives: Juundaal

EXTRA! EXTRA! 2019

The studio at the Art Gallery of NSW with EXTRA!EXTRA! – a weekly newspaper which responds critically and playfully to Making Art Public, 9 Nov – 15 Dec, 2019. Each week, editor-in-chief Lucas Ihlein and special correspondent Ian Milliss were joined by special guest writers and artists, who worked with the Rizzeria team to print the newspaper inContinue reading “EXTRA! EXTRA! 2019”

LIVE DREAMS: CLOISTERED

Curated by Alex Wisser, 2022, LIVE DREAMS at the Performance Space was an amazing opportunity for emerging and experimental works! I took the opportunity to give voice to Sister Everywhen in a performance called, Bound. So much gratitude to Alex and the LIVE DREAMS program for this opportunity! Bound with Sister Everywhen, in is anContinue reading “LIVE DREAMS: CLOISTERED”

Plastic-free Kandos, 2022!

Plastic-free Kandos, 2022, promotional flyer. Social engagement work, Plastic-free Biennale (2020) in NIRIN, Biennale of Sydney, has been reactivated after the impact of covid-19 and reconfigured to present Plastic-free Kandos, at the WAYOUT ArtSpace, 2022! I am thrilled to have the opportunity to work with Lucas Ihlein & Kim Williams again and have Sydney basedContinue reading “Plastic-free Kandos, 2022!”

Urgently arting, a savage world civil…

Image: The Wrapped Coast, One Million Square Feet, Little Bay, Sydney, Australia (1969), Christo & Jeanne-Claude, Image: Art Gallery NSW: https://www.artgallery.nsw.gov.au/collection/works/, accessed: 09.10.2022. BCM 111 Global Media & Culture Assignment 2: Annotated Bibliography. Grade: 85/100. Title: Urgently Arting a Savage World, Civil. The Question: Discuss four key elements to building the rudimentary foundations of aContinue reading “Urgently arting, a savage world civil…”

Sister GlitterNullius: Empathy. X

BCM 111 Global Media & Culture Assignment 3: Empathy, 2022, Video Presentation & Script. Grade: HD 90/100. Concepts: 1. Networked, Indigenous Identity & Indigenous Art Activism, 2. Environmental Art Activism Intersectional Environmentalism, 3. Cultural Proximity, 4. Audience Access & Activation: Developing non-Indigenous Proximity & Engagement with Indigenous CulturalExpression. Explanatory Note:Video: Justin Hewitson recorded the videoContinue reading “Sister GlitterNullius: Empathy. X”

SF3 SmartFone Flick Fest 2022!

I am thrilled to have my short film, Sister GlitterNullius, The Monster Speaks: The Monstering, chosen for the SF3 Community & Diversity Award! With so many amazing films from Australia and internationally, from stax of incredibly talented filmmakers, check out the collection on the website! Grab a friend! Grab some popcorn & immerse yourself! ClickContinue reading “SF3 SmartFone Flick Fest 2022!”

We’re not in Kandos anymore! How art transformed an out of luck town.

By Nick Galvin JULY 21, 2022, Sydney Morning Herald. Kandos, about an hour north-west of Lithgow, is a pretty quiet town – doubly so since its main employer, the cement works and quarry, closed its doors in 2011. The second hammer blow came in 2015 when the nearby Chambon coal mine also shuttered. But this particular morningContinue reading “We’re not in Kandos anymore! How art transformed an out of luck town.”

Cementa22 Festival Video: 8min version is here! X

With her DNA infected by micro-plastix, we are reminded our inimitable Sister GlitterNullius, is homeless on many levels and for just as many reasons. Through her telescope (we know it’s a kaleidoscope) and her compass (we know is a stopwatch), she finds herself on Dabee-Wiradjuri Country, Kandos NSW. Our Nun knocks on doors & knocksContinue reading “Cementa22 Festival Video: 8min version is here! X”

My primary relationship is a 3-way…

Image: E-Safety Commissioner, 2108, https://beconnected.esafety.gov.au/pluginfile.php/69186/mod_resource/content/1/t26_c4_a1_p1.png, Australian Government, https://beconnected.esafety.gov.au/topic-library/social-media-apps/introduction-to-instagram/what-is-instagram, accessed:28.08.2022. BCM111: 3/3 FINAL BLOG POST TOPIC Question: Discuss one social media platform and the way you use it to present a sense of self (whether that is a self that is curated and selective – a persona – or one that is more authentic). What affordancesContinue reading “My primary relationship is a 3-way…”