… HOW MUCH CAN ONE MOTHER EARTH TAKE BEFORE THE WOUND IS TOO DEEP?… X

Going Home, 2020, Collaborating Editor: Riley Jones. As the plastix hits, I weep for us all my children. Please come sit by me… Hold my hand a while…? My heart is wounded and laden. I pray I am not losing faith but I feel an indescribable pull… As the plastic hits, I feel different… Where canContinue reading “… HOW MUCH CAN ONE MOTHER EARTH TAKE BEFORE THE WOUND IS TOO DEEP?… X”

THE BIRTH OF SISTER GLITTERNULLIUS… X

The Birth of Sister GlitterNullius, 2020, Internship: Plastic-free Biennale, 2020, Lucas Ihlein & Kim Williams, NIRIN, Sydney Biennale, Editor: Jesse Tyssen, 2020. Filmed on Dharawal Country, script: Bundjalung language. Nigh yiggun binggirribah…birin…yamba… Ngay garni yugen jagun…gudjim, gami, wadjan…jahdjam…Niugh yiggun mamirbu…ngubu…yugirbah… Gannga… wahra…dhinda-djindi…yamba…jagur, jagul, jagur, jagul, jagur, jagul, stranger…stranger…stranger… I am glad you are here…hurry child.Continue reading “THE BIRTH OF SISTER GLITTERNULLIUS… X”

CONFESS, BE BLESSED… WELL… MAYBE… The Sisters of Perpetual Plastix for Plastix-free Biennale, 22nd Biennale of Sydney, NIRIN.

Collaborating Video & Editor: Jesse Tyssen Come with me but don’t follow me… you are my children but I am not your Mother. She is saltwater, rain, mountain, bird, reptile, river, fish… She is soil, sky and stars… every plant, plankton & microbe… The seasons, fire, wind… She is Ancestors, our sisters & brothers, humanContinue reading “CONFESS, BE BLESSED… WELL… MAYBE… The Sisters of Perpetual Plastix for Plastix-free Biennale, 22nd Biennale of Sydney, NIRIN.”