Plastic-free Kandos, 2022!

Plastic-free Kandos, 2022, promotional flyer. Social engagement work, Plastic-free Biennale (2020) in NIRIN, Biennale of Sydney, has been reactivated after the impact of covid-19 and reconfigured to present Plastic-free Kandos, at the WAYOUT ArtSpace, 2022! I am thrilled to have the opportunity to work with Lucas Ihlein & Kim Williams again and have Sydney basedContinue reading “Plastic-free Kandos, 2022!”

We’re not in Kandos anymore! How art transformed an out of luck town.

By Nick Galvin JULY 21, 2022, Sydney Morning Herald. Kandos, about an hour north-west of Lithgow, is a pretty quiet town – doubly so since its main employer, the cement works and quarry, closed its doors in 2011. The second hammer blow came in 2015 when the nearby Chambon coal mine also shuttered. But this particular morningContinue reading “We’re not in Kandos anymore! How art transformed an out of luck town.”

Plastic-free Kandos Photo Album!

An extension of Plastic-free Biennale… You know those times when you look around you & realise some people just want good things for you? I have so much gratitude for the people of Kandos, Cementa,  WayOut ArtSpace, Alex Wisser, Michael & Jack who helped us put the exhibition together, working with Rox De Luca &Continue reading “Plastic-free Kandos Photo Album!”

An omen has arrived… Cementa 22 Arts Festival, Kandos NSW, said Alex!

Come! Come with me! Be us, ancient and new together in all directions at this long awaited once! Let our feathers be free among, and belong with the artists, the knowledge keepers, storytellers and gatherers! Arrive all colours, skins and kin! Immerse with joy and disquieting truths! As be, celebrate empathy’s compass to the monstering!Continue reading “An omen has arrived… Cementa 22 Arts Festival, Kandos NSW, said Alex!”

Cementa22 Festival has selected Sister GlitterNullius as one of this year’s artists!

Sister GlitterNullius is the post-traumatic, personification and representation of the hypocrisy dilemma that is the Anthropocene. A nun, imprisoned by her love-hate relationship with plastix and all things, consumerist, capitalist, catholic and post-colonial. Through humour, irony, and a pinch of sarcasm, GlitterNullius stands with the in-betweeners, the failures and the lost, trying to navigate aContinue reading “Cementa22 Festival has selected Sister GlitterNullius as one of this year’s artists!”